The disappearance of two boys at a lake, during a scorching summer afternoon, forces us to question who we really are in the face of our own humanity.

Two women retreat to a lake house to get a break from the pressures of the outside world, only to realize how disconnected from each other they have become, allowing their suspicions to bleed into reality.

An incestuous relationship between to siblings after their mother's death, leads one of the characters to feel haunted by guilt. They try to forget their blood ties but they only become more evident and hard to manage.

Rachel is a quick-witted and lovable stay-at-home mom, frustrated with the responsibilities of her son's preschool, a lacklustre sex life and a career that's gone kaput. One night, intent on spicing up their marriage, she visits an LA strip club with her husband, where she meets McKenna, a stripper she adopts as her live-in nanny.

Always Afternoon is a 1988 Australian mini series about German internees in Australia. It was a co production between Germany and Australia.It inspired a series of paintings by Ross Watson.

It is a Sunday afternoon in the universe. When a mysterious musical force causes scorching heat, tornadoes, and raging fires to devastate our planet, four very different people await the impending disaster at a local corner store. A film about the human ties that bind us when catastrophe is imminent.

Romance has been described as the offspring of fiction and love. In this case, there seems to be quite a bit more fiction.

In the gathering dusk of 18 August 1966, 108 young, inexperienced Australian and NZ soldiers are separated and surrounded, fighting for their lives, holding off an overwhelming force of 2,500 battle-hardened Viet Cong and North Vietnamese soldiers. And, in the pouring rain, amid the mud and shattered trees of a rubber plantation called Long Tan, with their ammunition running out and another Vietnamese battalion massing for the final assault, the digger's situation seemed hopeless. Long Tan is the true story of ordinary boys who became extraordinary men.

A Javanese royal and half-Dutch woman fall in love as Indonesia rises to independence from colonial rule.

Chronicling the search for truth and peace in post-genocide Rwanda. Director Deborah Scranton explores issues of peace, retribution, accountability and justice, ultimately discovering a blueprint for ending the cycle of violence. Examining the personal and political repercussions of the deadly conflict in this east African country.